She booked a course of six back in February. You are fairly sure this is the fifth. She thinks it is the fourth. Neither of you wrote anything down, and you are about to do the polite thing, which is the expensive thing.
Courses are one of the few things in a solo beauty business that genuinely help both sides. They also go wrong quietly, in a way that never shows up as a problem, only as a slightly disappointing month.
A course is a debt, not a sale
This is the mental shift that fixes most of the problems.
When a client pays for a course of six, that money is in your account, and it feels like a good month. In reality you have been paid for six appointments and delivered one. The other five are work you owe, sitting in your future, already funded.
That is not a bad thing. Cash up front is genuinely valuable, and a committed client is worth more than a client deciding each time. The risk is that the money arriving and the work happening are separated by months, which makes it easy to lose track of both.
The best month of your year and the busiest month of your year are not the same month when you sell courses.
Pricing the discount deliberately
Most course pricing is set by feel. Six for the price of five, because it sounds neat. It is worth being more precise about what you are actually buying with that discount.
| What you get | What it is worth |
|---|---|
| Money up front | Cash flow, stock buying power, and no chasing balances for six appointments |
| A committed client | Six bookings you do not have to sell individually, and better results because she completes the course |
| Predictable diary | Slots filled in advance at a known interval |
| Better outcomes | Course based treatments work when they are completed, and results bring referrals |
Now weigh that against the cost. You are locking in today’s price for work you will deliver in four months, at a lower rate, with no ability to reprice if your costs rise. If you are planning a price increase, the course price should account for it rather than quietly absorbing it.
A useful check: work out what the course pays you per hour of chair time. If that number sits below what you would accept for a single appointment, the discount is too deep, however good the cash injection feels on the day.
The record that stops the seventh session
The counting problem is not carelessness. It is that a course has no natural place to live. The payment is one transaction. The sessions are six separate appointments spread over months, sometimes rescheduled, sometimes with a gap where she was away.
Counting backwards through a booking history is unreliable for both of you, and when the client’s count and yours differ, the polite thing is to defer to hers. That is how a course of six becomes a course of seven.
What a course record needs
- The client it belongs to.
- What was purchased. Treatment type and number of sessions.
- Amount paid, and when. Including whether it was paid in full or in instalments.
- Sessions used, with dates. Logged as they happen, not counted afterwards.
- Sessions remaining. Visible without arithmetic.
- Expiry date. Set at purchase.
- Any add ons taken alongside a session and paid for separately.
The line that matters most is sessions remaining, because it needs to be visible when she is in front of you rather than something you work out afterwards. Say it out loud at the end of each appointment: “That’s four done, two left.” Doing that every time removes the disagreement entirely, because you are both counting together as you go.
Built for solo beauty artists
Payments and sessions, tracked against the client
Artisée records every payment against the client and the booking it belongs to, so what has been paid and what is still owed are never a guess.
See plans and pricing Every new studio gets a full month of Pro on us.Expiry, spacing and the awkward cases
Expiry
Courses are designed around a spacing. Six sessions at three week intervals is a treatment plan. The same six spread across fourteen months is six separate appointments that will not produce the result the client paid for.
Twelve months is a common window. State it at the point of sale, in the same sentence as the price, so it is part of what she agreed rather than something she discovers later. Be flexible where the reason is genuine, and check the consumer rules that apply where you work, because prepaid services are regulated differently in different places.
Part used refunds
The fair version is simple to explain: sessions taken are charged at the full single price, and the balance is refunded. Say it at the point of sale.
“If you need to stop partway through, that’s absolutely fine. The sessions you’ve had are charged at the normal single price and I’ll refund the difference.” Nobody argues with that, because it is obviously reasonable, and it removes the fear that stops some clients committing in the first place.
Transferring a course
Decide in advance whether a course can be given to someone else. Some artists allow it, some do not. The practical issue is that a new person needs her own consultation and consent, and may not be suitable for the treatment at all, which is worth saying out loud before anyone gifts anything.
Read it back in your numbers
One last habit. When you look at your revenue for the month, keep course payments visible separately from single appointments.
A month with two courses sold looks strong, and part of that strength is work you have not done yet. A month with no course sales but lots of sessions delivered looks weak, and part of that weakness is work you were paid for in February. Neither figure is wrong, but reading them as the same thing will give you a confusing picture of a perfectly healthy business.